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GALLERY: Mazzini Canfarini

on August 08, 2020

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1960

Vatican City

Fifth death centenary of St. Antoninus of Florence

St. Antoninus (after Dupré)

Engraved by Mazzini Canfarini

Canfarini Gallery

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DATABASE: Martin Mörck

STAMPS 1977 Sweden, Definitive Sweden, Public transport 1978 Sweden, Definitive Sweden, Europa Sweden, Northern arrow Sweden, Christmas 1979 Sweden, Bandy Sweden, Year of the child Sweden, Sundsvall strike Sweden, Costumes and jewellery 1981 Sweden, Norse mythology Sweden, Year of disabled persons Sweden, Sailing boats Sweden, Guest of reality Sweden, Business mail 1982 Sweden, Museum of cultural history Sweden, Buoyage system Sweden, Nobel prize winners 1983 Sweden, Postal co-operation Sweden, Europa Sweden, Hjalmar Bergman Sweden, Return of Riksdag Sweden, Nobel prize winners 1984 Sweden, Mountain world Sweden, Fredrika Bremer association Sweden, Viking satellite Sweden, Nobel prize winners 1985 Sweden, Touring club Sweden, Trade signs Sweden, Board games Sweden, Birth centenaries Sweden, Nobel prize winners 1986 Sweden, Water birds Sweden, Peace year Sweden, Nobel prize winners 1987 Aland Islands, 1m bridge definitive Icel

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The phone rang just as his statuette of the Virgin Lady took a direct hit from a German bullet. It was the head of the French Post. “Quick, Pierre, General de Gaulle is coming to Paris tomorrow morning and he needs to choose the new French definitive design. There are four of you in the frame: Cheffer, Mazelin, Piel and you. Better get a design ready. Make haste, make haste!” And so, in August 1944, while French and German soldiers were fighting all around him, Pierre Gandon sat down in his ravaged studio at Place de Furstenberg in Paris, and worked all night on his Marianne. He modelled her after his wife Jacqueline. This stamp, once chosen by De Gaulle, would revive his career as a stamp engraver. And his career badly needed reinvigorating, because Gandon had been blacklisted for three months, for having engraved the French Tricolour Legion stamps back in 1942, and one of a number of non-postal labels associated with this issue. Those issues had become a symbol for the hated Vichy re

DATABASE: Czeslaw Slania

STAMPS 1951 Poland, Paris commune Poland, Mining Poland, People's republic 1952 Poland, General Swierczewski Poland, Air Poland, Nikolai Gogol Poland, Proletariat party Poland, Avicenna Poland, Victor Hugo Poland, Sienkiewicz Poland, Car workers fund 1953 Poland, Renaissance 1954 Poland, Air Poland, Second republic Poland, Return of Pomerania Poland, Kosciuszko's insurrection Poland, Protected animals 1955 Poland, Chopin piano competition Poland, Warsaw monuments 1956 Poland, Warsaw monuments Poland, Olympics 1960 Sweden, Anders Zorn Sweden, Refugee year Sweden, Shooting organisation Sweden, Fröding Sweden, Europa Sweden, Branting 1961 Sweden, Definitives Sweden, Alströmer Sweden, Library regulation 1962 Denmark, Dansk Fredning (two issues) Denmark, Under-developed countries Denmark, Selandia Denmark, Value on 1k20, 1k25 and 1k50 Small Arms definitive (2) Sweden, Local mail delivery service Sweden, Monuments 1963

BIOGRAPHY: Czeslaw Slania

“Engraving is a matter of light and shadows” If there is one name synonymous with the art of stamp engraving, it must be that of Czeslaw Slania (1921-2005). During his career, spanning over fifty years, his more than 1,000 engraved stamps have attracted at least as many superlatives. Born near Katowice, Poland, on 22 October 1921, it was clear from an early age that Slania had a special talent for drawing and apparently he was fond of miniatures. Although it has to be said that he had some trouble finding a proper outlet for it. Slania started out young by selling his drawings to fellow pupils at school so they could get good marks. He later got found out for having perfectly forged the headmaster’s signature. As early as then, it was generally thought Slania would become an important artist. But that was not before he could once again execute his forging techniques, in the Second World War, by copying identity cards and other documents for the Polish underground forces. After

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Martin Mörck (born 1955) was raised in a family of artists and from a young age was emerged in the world of artists such as Dürer. Moreover, Martin’s father was a graphic artist and a stamp collector and as such the first to plant the seeds of love of both graphic art and philately in his son. It clearly worked for Mörck sees stamps as unique pieces of art, appreciating the artistic value of each and every one. What he loves about his work as an engraver is that ideas in your head end up on paper via your hands. He has a reputation as being insatiable and regularly spends a minimum of 60 hours a week on his engravings. Mörck was never officially trained to become an engraver. He got his first engraving tools when he was 15, and soon got the hang of it, but felt he needed a bit more guidance. So, at 16, he went to a general art course which opened up the possibility of becoming the apprentice of an engraver, which happened to be the stamp engraver Arne Wallhorn . This led to Mörc

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_ _ _ . . _ _ . _

It's funny how you sometimes think you've studied a stamp quite exhaustively, only to find out there's so much more to learn about it! That's what happened to me the other day when I read a blog post on the Dutch Postzegelblog, by Cees Janssen. The post is about the 1947 Austrian stamp to mark the centenary of the Austrian Telegraph, a stamp engraved by Herbert Toni Schimek . Now it is quite a remarkable engraving, especially when you look at the globe. The illustration is built up with an array of ever larger circles; and by varying the thickness of those circles, the actual illustration is created. This was a tribute to the French engraver Claude Mellan (1598-1688), who was instrumental in developing the technique of copper engraving, which would later become the technique used for stamp engraving. Mellan's most famous work was The Head of Christ, which was an engraving built up with just the one single line, going round and round in circles. So like I said, unt

DATABASE: Pierre Gandon

STAMPS 1939 French Morocco, Definitives 1940 Togo, Definitives Togo, Postage dues 1941 Dahomey, Definitives France, National Seamen's relief fund France, National relief fund 1942 France, Marshal Pétain France, Empire fortnight France, National relief fund France, Tricolour legion Monaco, Airmail Monaco, National relief fund 1943 France, Lake Lérie France, National Relief Fund 1944 France, Petain's birthday France, National relief fund France, Liberation France, Mobile POs Monaco, St Devote 1945 France, Marianne definitives France, Sarah Bernhardt French Morocco, Air 1946 France, Air France, Peace conference France, National relief fund Monaco, Child welfare fund 1947 France, Air France, Cannes France, UPU congress France, Conques abbey French Equatorial Africa, Definitives French Guiana, Definitives French Morocco, Definitives French West Africa, Definitives 1948 France, Air (2 issues) France, Transfer of ashes Frenc

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