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DATABASE: Fidelis Ferreira Paradellas

on February 25, 2020

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STAMPS

1861

Brazil, 280r and 430r definitives (1)

Notes:
1) The London Philatelist 1911

Database Ferreira Paradellas

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DATABASE: Martin Mörck

STAMPS 1977 Sweden, Definitive Sweden, Public transport 1978 Sweden, Definitive Sweden, Europa Sweden, Northern arrow Sweden, Christmas 1979 Sweden, Bandy Sweden, Year of the child Sweden, Sundsvall strike Sweden, Costumes and jewellery 1981 Sweden, Norse mythology Sweden, Year of disabled persons Sweden, Sailing boats Sweden, Guest of reality Sweden, Business mail 1982 Sweden, Museum of cultural history Sweden, Buoyage system Sweden, Nobel prize winners 1983 Sweden, Postal co-operation Sweden, Europa Sweden, Hjalmar Bergman Sweden, Return of Riksdag Sweden, Nobel prize winners 1984 Sweden, Mountain world Sweden, Fredrika Bremer association Sweden, Viking satellite Sweden, Nobel prize winners 1985 Sweden, Touring club Sweden, Trade signs Sweden, Board games Sweden, Birth centenaries Sweden, Nobel prize winners 1986 Sweden, Water birds Sweden, Peace year Sweden, Nobel prize winners 1987 Aland Islands, 1m bridge definitive Icel

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DATABASE: Czeslaw Slania

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BIOGRAPHY: Czeslaw Slania

“Engraving is a matter of light and shadows” If there is one name synonymous with the art of stamp engraving, it must be that of Czeslaw Slania (1921-2005). During his career, spanning over fifty years, his more than 1,000 engraved stamps have attracted at least as many superlatives. Born near Katowice, Poland, on 22 October 1921, it was clear from an early age that Slania had a special talent for drawing and apparently he was fond of miniatures. Although it has to be said that he had some trouble finding a proper outlet for it. Slania started out young by selling his drawings to fellow pupils at school so they could get good marks. He later got found out for having perfectly forged the headmaster’s signature. As early as then, it was generally thought Slania would become an important artist. But that was not before he could once again execute his forging techniques, in the Second World War, by copying identity cards and other documents for the Polish underground forces. After

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Ferdinand Schirnböck is synonymous with the engraved stamps of Austria. In an era dominated by letterpress printing, he visualised the final years of the Austro-Hungarian Empire in intaglio, and went on to produce many of the early issues of its successor republic. But Schirnböck’s output encompassed 14 other countries too, and indeed his career started on the other side of the world. Born in Hollabrunn, north of Vienna, on 27 August 1859, Schirnböck trained at the Vienna Academy’s school for engravers, after having been a couple of years at the Vienna Professional School, where F. Laufberger was his teacher. When he graduated at the age of 27, his first full-time job took him all the way to Argentina, where he joined the South American Bank Note Company in Buenos Aires. In his five years there, from 1887-92, he engraved most of the stamps issued by Argentina, notably an array of definitives portraying historic figures. Schirnböck started by engraving all values of

BIOGRAPHY: Martin Mörck

Martin Mörck (born 1955) was raised in a family of artists and from a young age was emerged in the world of artists such as Dürer. Moreover, Martin’s father was a graphic artist and a stamp collector and as such the first to plant the seeds of love of both graphic art and philately in his son. It clearly worked for Mörck sees stamps as unique pieces of art, appreciating the artistic value of each and every one. What he loves about his work as an engraver is that ideas in your head end up on paper via your hands. He has a reputation as being insatiable and regularly spends a minimum of 60 hours a week on his engravings. Mörck was never officially trained to become an engraver. He got his first engraving tools when he was 15, and soon got the hang of it, but felt he needed a bit more guidance. So, at 16, he went to a general art course which opened up the possibility of becoming the apprentice of an engraver, which happened to be the stamp engraver Arne Wallhorn . This led to Mörc

_ _ _ . . _ _ . _

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BIOGRAPHY: Karl Bickel

Karl Bickel was born on 13 February 1886, in Zürich-Hirslanden, Switzerland. He lost his father when he was only four and was then raised mainly by his mother, even though she did remarry after a while. Karl enjoyed a free upbringing and spent his time dreaming of various careers, ranging from entering a monastery to something to do with machines, and everything in between. It was quite a coincidence that he entered the lithography business. After having applied for various apprenticeships in 1900, Paul Bleuler’s well-known graphic art company was the first to react, offering him a position to learn the art of lithography. Karl Bickel stayed for four years during which time he occupied himself mainly with designing and drawing picture postcards. After his apprenticeship, Bickel was employed by the graphic art company Hüttner where he soon made it to technical head. Again, Bickel created picture postcards, but also fashion and other catalogues.

AWARDS: Grand prix de l'art philatélique - France

1951 - Madame Recamier (1950), engraved by Charles Mazelin 1953 - National industries 'Haute Couture', engraved by Jules Piel 1954 - Lavalette, engraved by Jules Piel 1956 - Parmentier, engraved by Henry Cheffer 1957 - Rouen Cathedral, engraved by René Cottet 1959 - Charles de Foucauld, engraved by Charles Mazelin 1960 - Kerrata Gorges, engraved by Robert Cami 1961 - Lacordaire, engraved by Claude Durrens 1962 - Joueurs de Cartes de Cézanne, engraved by Pierre Gandon 1963 - Church of St Foyes de Conches, engraved by Jacques Combet 1964 - The Lady with the Unicorn tapestry, engraved by Pierre Gandon 1965 - Joux Castle, engraved by Claude Durrens 1966 - De La Tour's New-born Child, engraved by Claude Durrens 1967 - Marianne, engraved by Claude Durrens 1968 - Union with Corsica, engraved by Robert Cami 1969 - Nature conservation, engraved by Robert Cami 1970 - National Gendarmerie, engraved by Claude Hal

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