
With so few examples around, it is only logical that the design was based on the contemporary stamps in use in Great Britain. Legend has it that Barnard had forgotten what wording to use and therefore opted for the now famous line 'Post Office' (rather than 'Post Paid which was used on a later issue), but seeing that the wording 'post office' had already been in use on Mauritius' handstruck postmarks for nearly two decades, one may wonder whether Barnard's use was indeed so erroneous, and whether he was not just following common practice.

In 1912, reprints were made from the original plate; the so-called Paris prints. These consist of printings of the complete die (i.e. with the two stamps). The prints were made in red, blue or black. Later reprints also exist.
The circumstances of the original plate were shrouded in mystery for many decades, with its whereabouts unknown for a long time, until it recently resurfaced. It turned out it was part of the Maurice Burrus collection, but not sold among the rest of his collection. Burrus had gifted it to his niece and after she passed away in 2013, her family rediscovered it and put it up for sale in 2016.
The circumstances of the original plate were shrouded in mystery for many decades, with its whereabouts unknown for a long time, until it recently resurfaced. It turned out it was part of the Maurice Burrus collection, but not sold among the rest of his collection. Burrus had gifted it to his niece and after she passed away in 2013, her family rediscovered it and put it up for sale in 2016.
In January 1848, Barnard was asked to engrave new stamps, while awaiting 'properly' printed stamps from Perkins, Bacon. He created plates of twelve stamps each, this time with the wording 'Post Paid'. The original plate for this issue was gifted to King George V.