“Accepting a position with a security company is like
entering a monastery and surrendering one’s identity as the iron doors clang
behind you.”
STAMPS BY YEAR
1947
Colombia, Red cross
1948
Turks and Caicos Islands, Separation, 0.5d and 2d
1950
Paraguay, UPU
Turks and Caicos Islands, 0.5d, 1d, 1.5d, 2.5d, 3d, 4d and 1s definitives
1951
Afghanistan, Air
Tonga, Treaty of friendship (excl. 1d)
1952
Falkland Islands, 0.5d, 1d, 2.5d and 1s definitives
Honduras, 8c airmail stamp
St. Kitts-Nevis, 1c and 12c definitives
1953
British Honduras, 2c, 4c and 25c definitives
Nigeria, 0.5d and 4d definitives
1954
British Guiana, 4c definitive
Falkland Islands Dependencies, 0.5d, 1d, 1.5d, 2d, 4d and 6d definitives
St. Kitts-Nevis, 5c definitive
1955
Falkland Islands, 0.5d, 1d and 1s definitives
United Nations (New York), UNESCO
1957
Costa Rica, 20c, 30c, 50c and 55c airmail stamps
Dominican Republic, 1c (Gerald Ouellette) and 16c (Alfred Ceder) Olympics
1959
Honduras, Lincoln (2c, 3c, 5c, 10c, 25c, 50c, 1l and 2l)
1960
Falkland Islands, 1s, 1s3d and 5s definitives
1961
Honduras, Boundary dispute (1l)
Qatar, 1r and 2r definitives
1966
Sovereign Military Order of Malta, First issue (8gr and 40gr)
1970
Philippines, 10s definitive (Mariano Ponce)
OTHER WORK
1970
Jamaica, Portrait of Bustamente on $1 banknote P54 (1)
Notes:
(1) The International Engraver's Line - Gene Hessler
This quote from the English security engraver Joseph
Lawrence (Joe) Keen (1919-2004) can be found in Gene Hessler’s book The International
Engraver’s Line. It is a telling quote for, once again, when researching the
stamp engravings of the British Commonwealth, we stumble across vast areas of
nothingness. In fact, we are heavily indebted to aforementioned Gene Hessler
for being able to have any information on Mr Keen at all, especially when it
comes to his work on stamp engraving. Any other public information out there is
usually limited to the mentioning of the odd banknote engraving.
Joe Keen, born in 1919 in Hendon, England, went to the
Hornsey School of Art in London where he studied drawing. He was noted by staff
at Waterlow & Sons and, in 1936, was offered a six months apprenticeship to
develop his engraving skills. During this period, Keen’s talent became obvious
and he was subsequently offered the possibility of further training in the
company’s Ornamental Department. Keen was trained as a vignette engraver by
stamp designer George Fairweather, and also received guidance from the famous engraver
J. A. C. Harrison.
World War Two intervened in 1939 and Keen had to fulfil his
military service. In 1946 he returned to Waterlow & Sons, when his career
started for real. Keen’s first known issued stamp engraving is that of
Colombia’s 1947 Red Cross issue. This was followed in 1948 by his first of many
British Commonwealth engravings: the ‘Badge of the Islands’ design from the
1948 Turks and Caicos Islands set to mark the Centenary of Separation from the
Bahamas. More Turks and Caicos Islands stamps followed, for in 1950 Keen
engraved seven of the 13 values from the King George VI definitive set.
As Keen became more and more established as an important
engraver, he became more and more dissatisfied with the (financial and working)
conditions at Waterlow & Sons. In fact, he even resigned in 1951, but
within a month the company almost begged him to come back. Keen was able to
negotiate a much better deal, including more pay and the luxury to be allowed
to work from home, which was almost unheard of.
A period of great activity followed during which Joe Keen
engraved many values for definitive sets such as those for the Falkland Islands
(1952, 1955 and 1960), the Falkland Islands Dependencies (1954) and British
Honduras (1953). Outwith the British Commonwealth, he engraved stamps for
Honduras (1953 airmail), Costa Rica (1957 airmail) and even the United Nations
(1955 UNESCO stamps).
During this period, Keen’s work shifted ever more towards
the engraving of banknotes. It was this work, though, which would lead to Keen
leaving Waterlow & Sons. Their banknote department had been operating at a
loss for many years and even large scale investment, such as new presses, did
not stem the tide. The company saw itself eventually forced to close this
division and dismiss their bank note employees. De La Rue took over the
banknote business and Keen joined that company in 1961.
Although his work for De La Rue would have mainly to do with
the banknote business, he did still engrave the odd stamp for them as well,
such as for Honduras and Qatar (both 1961). His work for De la Rue would also
include the engravings of two values from the first set of stamps issued by the
Sovereign Military Order of Malta (SMOM) in 1966.
Keen retired in 1984 but accepted a consulting position at
Harrison’s some three years later where he stayed until his second and final
retirement in 1994.
This article was first published in Stamp and Coin Mart of February 2015 and is reproduced with their kind permission.
STAMPS BY YEAR
1947
Colombia, Red cross
1948
Turks and Caicos Islands, Separation, 0.5d and 2d
1950
Paraguay, UPU
Turks and Caicos Islands, 0.5d, 1d, 1.5d, 2.5d, 3d, 4d and 1s definitives
1951
Afghanistan, Air
Tonga, Treaty of friendship (excl. 1d)
1952
Falkland Islands, 0.5d, 1d, 2.5d and 1s definitives
Honduras, 8c airmail stamp
St. Kitts-Nevis, 1c and 12c definitives
1953
British Honduras, 2c, 4c and 25c definitives
Nigeria, 0.5d and 4d definitives
1954
British Guiana, 4c definitive
Falkland Islands Dependencies, 0.5d, 1d, 1.5d, 2d, 4d and 6d definitives
St. Kitts-Nevis, 5c definitive
1955
Falkland Islands, 0.5d, 1d and 1s definitives
United Nations (New York), UNESCO
1957
Costa Rica, 20c, 30c, 50c and 55c airmail stamps
Dominican Republic, 1c (Gerald Ouellette) and 16c (Alfred Ceder) Olympics
1959
Honduras, Lincoln (2c, 3c, 5c, 10c, 25c, 50c, 1l and 2l)
1960
Falkland Islands, 1s, 1s3d and 5s definitives
1961
Honduras, Boundary dispute (1l)
Qatar, 1r and 2r definitives
1966
Sovereign Military Order of Malta, First issue (8gr and 40gr)
1970
Philippines, 10s definitive (Mariano Ponce)
OTHER WORK
1970
Jamaica, Portrait of Bustamente on $1 banknote P54 (1)
Notes:
(1) The International Engraver's Line - Gene Hessler






Did KEEN engrave the Gibraltar £1 black & brown stamp (SG173) issued in 1962? If not, who did? According to my records, it is the only recess printed stamp produced by De La Rue using the Annigoni portrait of QEII.
ReplyDeleteI don't know who engraved that Gibraltar stamp, it's not in my database, sorry!
DeleteHi Adrian, do you by any chance know who engraved, or any engraver who contributed to, the Tristan da Cuhna 1954 definitives?
ReplyDeleteNo sorry, the only Tristan da Cunha set I know anything about is the 1965 definitive set for which Ron Beckers engraved some vignettes.
DeleteJoe Keen (Lawrence) was my Uncle Laurie, (being my mother's brother) who I remember quite well. My wife and I last saw him in retirement at Walberswick in Suffolk, where he lived in an elegant house that he had masterminded the conversion of, from a fairly humble bungalow. He was an immensely talented man - architect, potter, (he once supplied pottery to Harrods or Fortnum & Mason) engraver, and artist. He dies some 10-12 years ago, shortly after his devoted wife Peggy. If anyone wants any more history, please post a request. His son and daughter both live in Suffolk. Victor Harman. Norfolk
ReplyDeleteVictor, thank you very much for getting in touch. I would love to write a full-blown, in-depth article on Mr Keen and his (stamp) engravings one day, so yes, I would very much like to get in touch with you. Please e-mail me at rerrick at btopenworld dot com, or alternatively just post a reply here with your contact details. Naturally, I won't publish these on the blog.
DeleteHi Adrian do you know who engraved the 1946 victory & peace omnibus issue showing the houses of parliament with a vignette of the king?
DeleteHi Rachel, unfortunately I don't. I believe this has been researched but no answer found, although it has been suggested that it was Alfred J Downey who did it, but there is no evidence whatsoever (as far as I know) to corroborate this.
DeleteThanks.
ReplyDeleteDoes anyone know that Lawrence Keen was also a potter with a hobby pottery in the basement. He was the first person who taught Roger Michell (studio potter) how to pot.
ReplyDelete